Born and raised in Southern California and described as heavenly to listen to by the Daily Nexus, April Amante is a versatile soprano with expertise and facility in repertoire spanning from early music to musical theater crossover.

April made her Carnegie Hall solo debut as Mrs. Sinclair in Eric Whitacre’s The Gift of the Magi for the New York City premiere, and reprised this role again for the orchestrated premiere at Carnegie Hall in 2024, conducted by Eric Whitacre. She sang Seconda Ancella in Los Angeles Opera’s Turandot (2024). In 2020 she made her Los Angeles Opera debut as the Solo Soprano Voice and Chorus Soloist in the world premiere of Matthew Aucoin’s Eurydice. She has been the Soprano Soloist for Handel’s Messiah; with the Los Angeles Master Chorale twice, and also with the Santa Barbara Choral Society in Hahn Hall at Music Academy of the West.

April sang the Mozart Requiem Soprano Solo with the Angeles Chorale, and was one of the Vocal Soloists in Dylan Mattingly’s Bakkhai with Jacaranda Music for their 2022 season opener. She has performed and covered mainstage roles with Pittsburgh Festival Opera, Opera San Luis Obispo, Pacific Opera Project, New York City Opera’s Opera for Kids!, and the Los Angeles Opera Outreach Program. Favorite roles performed include Laurey (Oklahoma), Johanna (Sweeney Todd), Pamina and First Lady (Die Zauberflöte), Frasquita (Carmen), and Lauretta (Gianni Schicchi).

In addition to her solo performance credits, April, a member of SAG-AFTRA, has lent her voice to the score choirs of several films, including Wicked: Part I (2024), Wicked: For Good (2025) and Avatar: Fire & Ash (2025). She is a roster soprano with the Los Angeles Master Chorale. April holds a Doctorate of Musical Arts from the University of California Santa Barbara, her Master of Music from the University of Arizona, and her Bachelor of Music magna cum laude from California State University Northridge.